The Cambridge History of Western Textiles 2 Volume Boxed Set
Dress in Anglo-Saxon England
Woven Into The Earth: Textile Finds in Norse Greenland
North European Textiles until AD 1000
The Bayeux Tapestry: Embroiderers Story The Bayeux Tapestry: Digital Edition The Bayeux Tapestry Dyes in History & Archaeology #18


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The Cambridge History of Western Textiles
Edited By: David Jenkins
Published By: Cambridge University Press
Boxed Set/Slip Case/Casebound
2 Hardback Books; 1400 Pages; 280 Half-Tones; 40 Colour Plates

ISBN:0521341078
Published: September 2003
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$259.00
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Book Review, by David Jenkins (Editor)
Book Description

Essential in the everyday lives of all societies for providing protection and warmth, textiles also fulfill social, cultural, military, legal, and symbolic functions and have played a key role in the economic activity of societies from ancient times.
This magnificent two-volume study brings together the leading experts on textiles from eight countries, ensuring authoritative coverage of the production and uses of textiles in western societies from the earliest times to the present day. With contributions from archaeologists, economic and social historians, historians of fashion and the history of dress, and museum curators, no other book offers the breadth of coverage of this one, in terms of time period, subject matter, or approach. The book's range and accessibility will ensure that it is a key reference for specialists and non-specialists alike. David Jenkins is Senior Lecturer in Economic History in the Department of Economics and Related Studies at the University of York. He is also Governor and Company Secretary of the Pasold Research Fund, which promotes research and publication in the history of textiles in the eighteenth, nineteenth and twentieth centuries. Jenkins has a special interest in the wool textile industry, where his major contribution is (with the late K.G. Ponting) The British Wool Textile Industry, 1880-1914 (Ashgate Publishing Company, 1982). For several years Jenkins was a member of Council and Honorary Secretary of the Economic History Society and is a member of the Editorial Board of Textile History.
   

Dress in Anglo-Saxon England

Revised and Enlarged Edition
Gale R. Owen-Crocker

ISBN 1-84383-081-7

24.1 x 15.9 cm
Hardback
224pp
First published 2004

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Revised and Enlarged Edition
Gale R. Owen-Crocker When it first came out in 1986, Gale Owen-Crocker's book was a milestone in costume studies, a foundation on which much work has subsequently been based. Nearly twenty years later, there is more to be said, and this updated edition is long overdue.

An encyclopaedic study of English dress from the fifth to the eleventh centuries, it draws evidence from archaeology, text and art [manuscripts, ivories, metalwork, stone sculpture, mosaics], and also from re-enactors' experience. It examines archaeological textiles, cloth production and the significance of imported cloth and foreign fashions. Dress is discussed as a marker of gender, ethnicity, status and social role - in the context of a pagan burial, dress for holy orders, bequests of clothing, commissioning a kingly wardrobe, and much else - and surviving dress fasteners and accessories are examined with regard to type and to geographical/chronological distribution. There are colour reconstructions of early Anglo-Saxon dress and a cutting pattern for a gown from the Bayeux tapestry; Old English garment names are discussed, and there is a glossary of costume and other relevant terms.

GALE OWEN-CROCKER is Senior Lecturer in English Language, University of Manchester. She has a special interest in dress throughout the medieval period - she advises on dress entries to the Toronto Old English Dictionary and has consulted for many museums and television companies. She is co-editor of the new journal Medieval Clothing and Textiles. Generously illustrated with 25 plates, 12 in colour, and 140 drawings.

Contents
1 Introduction to the revised edition
2 A Historical Framework
3 Women's costume in the fifth and sixth centuries
4 Men's costume in the fifth and sixth centuries
5 Women's costume from the seventh to the ninth centuries
6 Men's costume from the seventh to the ninth centuries
7 Women's costume in the tenth and eleventh centuries
8 Men's costume in the tenth and eleventh centuries
9 Textile and textile production
10 The significance of dress
11 Appendix A: Old English garment-names
12 Appendix B: A possible cutting plan for an eleventh-century gown

12 colour illustrations
13 b/w illustrations
408 pages
Size: 24 x 17 cm
ISBN: 1843830817
Binding: Hardback
First published: 2004
Imprint: Boydell Press


 
Woven Into The Earth: Textile Finds in Norse Greenland
Author: Else Østergård
296 p., ill., 2004
Hardbound

ISBN 87 7288 935 7
Publisher: Aarhus University Press

 

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Contents
One of the century's most spectacular archaeological finds occurred in 1921 when Poul Nørlund recovered dozens of garments from a graveyard in the Norse settlement of Herjolfsnæs, Greenland.
Preserved intact for centuries by the permafrost, these medi­aeval garments display remarkable similarities to western European costumes of the time. Previously, such costumes were known only from contemporary illustrations, and the Greenland finds provided the world with a close look at how ordinary Europeans dressed in the Middle Ages.
Fortunately for Nørlund's team, wood has always been extremely scarce in Greenland, and instead of caskets, many of the bodies were found swaddled in multiple layers of cast-off clothing.
Eighty years of technical advances and subsequent excavations have greatly added to our understanding of the Herjolfsnæs discoveries.
In Woven into the Earth Else Østergård recounts the dramatic story of Nørlund's excavation in the context of other Norse textile finds in Greenland. She describes what the finds tell us about the materials and methods used in making the clothes.
The weaving and sewing techniques detailed here are surprisingly sophisticated, and one can only admire the talent of the women who employed them, especially considering the harsh conditions they worked under.

North European Textiles until AD 1000
Author: Lise Bender Jorgensen
285p., 206 figs, maps, photos and illus.
1992
Hardbound

ISBN 87 7288 416 9
Publisher: Aarhus University Press

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Contents
This book is firstly an enormous catalogue of all textile finds from prehistoric, Roman and medieval contexts in Great Britain, Ireland, the Netherlands, Germany, Poland and Scandinavia. This data is used to show that the first steps towards organized textile production in northern Europe were taken more than 2,500 years ago. The industry that was to centre itself around the English Channel and North Sea coastal areas played an important part in the rise of the Carolingian Empire and Anglo-Saxon England.
 

THE BAYEUX TAPESTRY: EMBROIDERERS STORY
By Jan Messent

First Published in 1999 112pp 8-1/4” X 11-3/4” (209mm X 298mm)
Paperback: 66 Color Illus.
ISBN: 0-951-634859

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* Who were the embroiderers of the Bayeux Tapestry?
• What were their tools, their materials, and how could such a massive project have been designed and organised?

These questions and many others have been avoided for so long due to a lack of hard facts, but in this book the author has drawn upon her own experience as an embroiderer and artist to piece together all the clues she could find in the tapestry itself.

After extensive research, Jan Messent has compiled a fascinating and colourful account which will help to place this famous embroidery in a plausible context.
This new study is essential reading for anyone wishing to know more about –
The Bayeux Tapestry Embroiderers.

Footnote: I had the opportunity to attend Jan Messent’s lecture on the Bayeux Tapestry and found it completely engrossing – the author had the unique ability to transport the audience back to the time and places after scores, perhaps hundreds of landed wealthy widowed women, fled to the nunneries after the defeat of the English at the Battle of Hastings - and there begins this incredible story). Martin Field


THE BAYEUX TAPESTRY: Digital Edition
By Martin K. Foys
Scholarly Digital Editions 2003

Individual Buyers -
This License: ISBN: 0-9539610-4-4
Allows you to make one copy of this publication on your hard disc and print images and other materials for private study.
Canadian Funds $68.75 U.S. Funds $55.00

Individual Buyers

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$ 55.00

Library And Institutional Buyers
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$ 1 45.00
$ 145.00

Library And Institutional Buyers
This License: ISBN: 0-9539610-5-2
Permits the institution to mount this publication on a single networked installation with no more than twenty computers connected to it.
Teachers and researchers in the institution may project images from this CD for instructional use. The institution may also lend this copy to members of the institution. The institution may make one copy only of the data on a hard disc; no other copies of the data on this CD-ROM are permitted.
Canadian Funds $195.00 U.S Funds $145.00

System Requirements
CD-ROM drive (6x or faster);
800x 600 pixel screen size with 16 bit (thousands of colours) or better
32 MB free system memory
Macintosh: System 7.0 or later (Classic mode required for OS X).
Windows: Windows 98 or later, 233 mHz or faster
An internet browser (not provided on the CD-ROM) is required for the print and copy facility while Quicktime is needed for the battlefield panoramas.
All other software and fonts are provided on the CD-ROM.

The Tapestry Itself
• View Images of the entire Tapestry, as a single scrolling panel
• Magnify images, so that individual stitches can be seen
• Go to a particular scene by clicking on an outline view
• View with translation of inscriptions, and with a full commentary

Other Images
• Full reproductions of the Reading, Montfaucon, and Stothard facsimiles
• ‘Museum’: close-ups of the Tapestry, and related materials from manuscripts, buildings, archaeology, all with commentary

Related Primary Texts
• ‘Library’: full texts, in modern authoritative translations, of sixteen primary sources
• Commentary on these, with links to the Tapestry
• Texts may be copied and printed

The Battlefield; maps
• Panoramic videos of the battlefield, with maps
• Maps showing the events of 1064 to 1066

Commentaries and discussions
• Full commentary on every panel and screen
• Genealogies; glossaries of people, places, events, details
• Full editorial introduction: date, origin, manufacture, history
• Help documentation, slideshow and search system

 

Dyes in History And Archaeology 18

Including papers presented at the - 18th Meeting, held at the Institute
Royal du Patrimoine Artistique/Koninklijk Instituut voor het Kunstpatrimonium, Brussels, 21-22 October 1999
Edited by Jo Kirby - The National Gallery, London

UK R.R.P £22.50 pounds  $43.05 U.S. $51.90 C.A.
Our U.S. price was 28.95
NOW $19.45 U.S
Our Canadian price was 39.95
NOW $25.95 C.A

Published by Archetype Publications Ltd; 2002 93/4" x 7" (246mm x 176mm) Soft cover 116 pages

ISBN: 1-873132-33-6

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The selection of papers included in the present volume shows the very varied aspects of traditional dyestuffs that are the subject of research: archaeological, chemical, historical and practical. It is extremely satisfying that interest in the field of natural and early synthetic dyestuffs is not only so broadly based in the different disciplines represented, but also truly international: contributors to this volume include researchers based in Canada, Japan, New Zealand and Russia, as well as western Europe.
 

 

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The Bayeux Tapestry

Introduction, description and commentary by David M. Wilson
Foreword by Jean Le Carpentier

ISBN 0500 251223

34.0 x 26.0 cm
Hardback including 1 foldout
234pp
Illustrated in colour and black and white throughout
First published 2004

In the small town of Bayeux in Normandy, in a museum specially devised to hold this single object, is a strip of linen nearly a thousand years old. . .

Nothing remotely like the Bayeux Tapestry exists anywhere else. In a series of vivid scenes, with a running explanatory text in Latin, the Tapestry relates the invasion of England by William of Normandy and his victory at the Battle of Hastings in 1066.
This book makes it accessible as never before and allows us to appreciate how totally absorbing it is.

The Tapestry is reproduced in full colour, with captions on a fold-out page for easy reference. A second reproduction of the Tapestry in black and white has a detailed accompanying commentary. Sir David Wilson, former Director of the British Museum, provides an up-to-date summary of the historical evidence, explains each episode and covers related topics such as the costumes, armour, ships, buildings and customs.

As a social document the Tapestry is of incalculable value. As a work of art it is the sole survivor of a form which may once have been wide-spread, the wall-hanging commemorating the deeds of a great man.

Sir David Wilson's many books include The Northern World,
The Vikings and Their Origins and The Anglo-Saxons.

 
 

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